Luisa Corna you don’t save in front Catherine Balivo: its story is a dive into the past between notes, emotions and a pinch of nostalgia. “He sang this crazy song with a voice that, even today, is in my opinion even more beautiful than before,” he admits, referring to Fausto Leali.
A statement which, more than a compliment, resembles a revelation intimate and unchanged admiration. Their bond, built between stages and backstage, emerges with the strength of something which, however distant it may be, remains alive and unbreakable.
The relationship with Leali becomes for Luisa Corna a symbol of growth and rediscovery. Not just a professional meetingbut a thread that links her to one of the most intense periods of her life. On stage The right timeunreservedly shared his journey with the public, transforming each word into a brushstroke of life lived, which tells not only of music, but also of resilience, irony and, above all, of encounters that leave a mark far and wide. beyond the notes of a song.
The beginnings with Miguel Bosé and the first step towards destiny
Before meeting Fausto Leali, Luisa Corna was the backing singer of Miguel Bosé, a figure of great charisma who catapulted her into the first important scenarios. “Yes, yes, those were my first steps as a singer, I was a backing vocalist for Miguel Bosé,” she remembers. A seemingly modest beginningbut in reality strategic to enter this world of artists that he would one day call his colleagues. Corna’s voice becomes almost caressing, as if this memory brought a pinch of tender surprise for the start of a career which, shortly after, would take an unexpected direction.
The magical moment with Panariello and the decisive meeting with Leali
It was in a moment that was unpredictable to say the least, a program with Giorgio Panariello and Vincenzo Mollica, that fate put Leali on the path of Luisa Corna. A real turnaround for the singerwho on this occasion performed in front of an audience among which was the singer-songwriter of “Mi Manchi”. “Mollica asked me to sing because Paolo Belli’s orchestra was there,” she says, almost amused, as if this episode were an unexpected premonition. From there, going to an audition with Leali becomes inevitable, and theirs artistic partnership begins to take shape.
Sanremo: entry on the scene and the challenge of control
When the time comes to Sanremoexpectations are very high. The scene is unforgiving, and Luisa Corna knows it well: between the lights and the public, everything is at stake. However, a twist is always there and the scene gives him an unexpected thrill: “I slipped a little“, the new shoes, the stage was a bit downhill… but I managed not to fall,” she says in a tone that mixes irony and relief.
This moment of involuntary lightness pushes her to let go, to live the experience without brakes. “We are there now,” he admits, as if to say that real performance was also managing to stand upright, in the face of all the tensions.