The participation of Sonia Bruganelli has Dancing with the stars This turns into a real obstacle course. The cracked ribs and pressured performances weren’t enough, to complicate matters were the heated clashes and a jury who, according to Sonia, seemed focused on everything except the dancing.
Discomfort shared on social networks
With a video posted on Instagram, the former commentator of Big brother he described his state of mind, suspended between the desire to resist and the desire to give up. His words are very direct:
“I’m torn between wanting to stay on the show and devoting myself to my fifth play-off and leaving because I’m starting to feel physically tired. The lightness with which I entered the rehearsal room is no longer there. On the one hand I would like to give everything and on the other hand I have a body that is starting to give me problems. I’m demotivated“.
Physical fatigue is closely linked to frustration for an experience that doesn’t turn out the way he imagined. The internal dynamics of the program, the comments on social networks and the media attention seem to have taken away all motivation.
The weight of the playoffs: a week that weighs like a rock
There the crisis exploded when he discovered he had to face yet another playoff series.
Even if the match was postponed, the simple thought of another week of effort was enough to shake his certainties:
“The play-off will take place on Saturday and imagining another week of effort to cope with it is hard.
I’m looking for strength from you to be able to say ‘I’m going to try again’ because objectively the idea of starting again worries me a little.” A sentence which betrays all the difficulty of following in an increasingly demanding context.
The format at the center of criticism: “Everything counts except dance”
It is not only physical fatigue that weighs on Sonia Bruganelli, but also a harsh judgment towards the program itself. His words, without filters, reflect a deep disappointment: “I imagined that this path would be difficult, but I did not imagine all that. In other words, we’re talking about everything except dancing. And someone might say to me,
“Thanks, you can’t dance,” but the format is: take a person who doesn’t know how to dance and teach them how to do it. I realized that my interest was in something else, not in dance.”
THE’initial enthusiasmlinked to the personal challenge of improving thanks to the advice of a master, is weakened. The former commentator explained that the attention seems to be elsewhere, making the efforts devoted to dancing marginal:
“I tried to improve every day, but when you realize that dancing doesn’t matter much, the motivation disappears.”
The weight of external dynamics
In addition to the format, Sonia Bruga nelli highlighted how off-stage dynamics contribute to his discouragement. Guests, comments on social media and constant requests for clarification made him realize that the real challenge lies not in the rehearsal room, but in the narrative that the program builds around the contestants.
“I deserved a hug from time to time, but instead I realized that they invite you on shows to get people talking.”
This realization turned what should have been a difficult adventure into an adventure source of bitternesswhich leads him to confront his supporters with an increasingly obvious feeling of disappointment.